Annica Karlsson Rixon & Anna Viola Hallberg Lives and works out of Brännö and Stockholm, Sweden. They collaborate in lens-based installation work since 2004. Annica Karlsson Rixon’s and Anna Viola Hallberg’s collaboration is based on an experimental documentary exploration with interviews and portraits as the point of departure. The group and group identity is central. The photography and video based works are often presented in spatial installations interlocked with seminars or workshops. They explore aspects of conditions such as; belonging and networks. From the point of departure manifested in the junction of photography and moving images. The works are in one sense site specific conceptual installation. Karlsson Rixon has 20 years experience of exhibiting photographic work. Hallberg’s art practice since the early 90-s revolves around performance and avant-garde film. They are based on Brännö and in Stockholm, Sweden. The collaboration has been going on since 2004. They work individually and as a collaborate team in lensbased installations as well as curatorial work. Annica Karlsson Rixon received a Master of Fine Art in 1997 from California Institute of the Arts in Valencia, California. Her undergraduate studies was accomplished at the Nordic School of Photography in Stockholm, Sweden 1988. Currently she is participating in the doctorial program at the School of Photography, at the Faculty of Fine and Applied Arts, University of Gothenburg. Karlsson Rixon held a professor position at the School of Photography, University of Gothenburg, 2003 - 2007. She has exhibited extensively since the early 1990´s. Anna Viola Hallberg graduated in 2003 from the Curatorial Program, Stockholm University, Sweden. Hallberg has a B.A in Cinema Studies from Stockholm University and is a graduate of Stockholm film school and a Master of Arts in International Museum Studies, University of Gothenburg, 2008, writing her thesis on contemporary art in museum exhibitions outside the paradigm of the art institution. Hallberg has worked both in avant-garde documentary film as well as in advertising in New York and Sweden.